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Twin Peaks: an inspiration

It haunted my childhood. I was in elementary school yet I would stay awake until 10pm, every Thursday, to watch the show together with my sister and my parents. I know it sounds strange that a child was allowed to watch David Lynch’s masterpiece, but I will forever thank my parents they did. Yes, it was terrifying, but it was also intriguing, dreamy, inspirational, formative.

Audrey Horne's portrait

You can imagine my excitement to hear that geniuses David Lynch and Mark Frost are creating a new chapter in the universe of Twin Peaks. In May, we will watch agent Dale Cooper returning literally to the scene of the crime, probably facing another mysterious murder case. I cannot wait to see what the creators have in mind for the much-loved characters, and to observe their mastering of scene setting, cinematography and costume-design.

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Do Ho Suh – Passages: an inspiration

I must admit, most of the days I have a love-hate relationship with London. But every now and then, little gems of experiences such as this one remind me why I am still here. Imagine queuing around the block in a residential area, waiting to see a world-renowned artist exhibit his latest work for free.

Tucked away behind a petrol station off City Road, and nestled between fancy new apartment developments, is the Victoria Miro gallery. Yes, it resembles a warehouse and has floor to ceiling windows, like most modern converted galleries do, but it also has a man-made lake at the back. I bet you did not expect that! What a great place to host Do Ho Suh’s new exhibition “Passage/s”.

Victoria Miro Gallery

The exhibition’s main attraction is a structure made of translucent fabric replicating the different places the artist has lived and worked in. He references his childhood home in South Korea, and his various flats and studios in places such as New York and London. As the notes of the exhibition explain: “Do Ho Suh has long ruminated on the idea of home as both a physical structure and a lived experience, the boundaries of identity and the connection between the individual and the group across global cultures”…“Suh’s structures give form to ideas about migration, transience and shifting identities”. Can’t think of a more relevant topic right now.

Do Ho Suh: Passage / s

Passing through the multi-coloured corridor of different rooms seamlessly put together, the visitor experiences Suh’s life in transit. A life that crossed cultural and geographical boundaries. As you walk through you wonder; am I invested too much in the destination and ignore the journey? Is it that bad to allow cultural and geographical exchange and movement? The people from all over the world who are queuing with me inside the fabric structure surely don’t appear to think so.

Do Ho Suh: Passage / s

His work is not only challenging your preconceptions and asking you to re-think the idea of your life’s journey. It also offers a colourful attack on the senses. The colours he chooses and the way he combines them are indeed inspirational.

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Is being unabashed a sign of a revolution?

We need to talk about being unabashed. It is a word, and a concept, that has been in my mind for some time now. As per Oxford Dictionary’s definition, it describes a person who is not embarrassed, disconcerted, or ashamed. And as I have noticed recently, this is a growing attitude. This post does not try to intellectualise the term or discuss whether it is a good thing or a bad thing. Actually, it is more about recognising it, and seeing how it is changing our world and more specifically the fashion world.

Tommy Ton for Vogue Japan: Shiny Projects

It is a standpoint that is currently shaping everything; from world politics to fashion. It is about saying and doing what you think, and acting on your opinion; expressing yourself! It does not matter if you are wrong or if your opinion is fact-less; simply having an opinion is enough and invaluable. This is possibly the result of years of people saying exactly what they wanted online. We have always had opinions, which we learned to share online through following, posting comments, shares, and likes. But what is happening now is major. It feels like the private has merged with the public; that the online has slipped into the offline, and started to define it. Result: the boundaries between the perceived privacy offered online, and the brutal reality of offline blur even further. People stop hiding behind their online persona. If their opinion is valued online it is only legitimate to voice it offline, however challenging or shameless it is. Non-facts become alt-facts. Sounds like a revolution…

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Today’s Edit: Transitional dressing

Here we go again, yet another season upon us. It was 2°C last night but we must talk summer because the new SS17 deliveries are in! I was discussing this the other day with a design manager friend of mine. She explained how scared she is every year around this time. Always fearful of transitional collections. Their performance is always a hit and miss she said. And “a bitch to design” apparently. “Throw a few Bretton stripes” she explained, “together with a couple of florals, and a lot of red and navy, bish bash bosh, collection done, and the design director happy”… Words accompanied by rolling of the eyes and a shoulder shrug. My heart sunk right there, and the fighter in me accepted the challenge: to “come up with outfits that are transitional but not bloody boring”.

So, I am taking on the all transitional stable; the stripe! Below you can find 5 different outfits built around stripes. Vertical of course; forget horizontal stripes. When putting together your transitional outfit follow these 5 rules and you will be fine: wear denim, layer, keep it tonal, and accessorise! Oh and don’t be scared to clash; when you think there is way too much going on, add more!

Outfit 1

Today’s Edit: Transitional dressing

Clockwise: ACNE STUDIOS wool and cashmere-mix double-breasted overcoat and oversized wool cardigan; J.W. ANDERSON stripe-play cotton top; CHRISTOPHER KANE pansy leather cross-body bag; ROSANTICA gold-tone, straw and quartz bracelet; J.CREW sequined silk crepe de chine midi skirt; GUCCI silk and cotton-blend oversized brooch (to be pinned on the overcoat); NIKE stingray and snake-effect leather sneakers.

 

Outfit 2

Today’s Edit: Transitional dressing

Clockwise: VETEMENTS in collaboration with SCHOTT oversized leather biker jacket; LANVIN viscose cardigan; MCQ ALEXANDER MCQUEEN crocheted wool and cotton-blend jumper; MARQUES’ALMEIDA oversized chain leather shoulder bag; SELIM MOUZANNAR diamond Pink Gold ring; MARQUES’ ALMEIDA frayed denim knot mini skirt; ALEXANDER MCQUEEN wool-mix socks with ruffle detail; ACNE STUDIOS ankle leather boots.

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